Diane,
OK, perhaps I didn’t mean your vinyl purist claptrap. More like, the vinyl purist claptrap of various people out there on the internet who do not read my blog, but will now hopefully stumble across it via a search engine and be extremely offended.
Here’s why your/their/somebody’s vinyl purist claptrap is a bunch of argle bargle. I’m taking it point by point - all the usual pro-LP arguments, broken down for your easy digestion:
1. Sound quality is so much better.
No, it’s not. (This is the kind of simple response you get when you make a really simple statement. See how unsatisfying it is? Here, I’ll do your work for you.)
1. rephrased: Vinyl has such a nice, warm, analog sound. Digital is so COLD.
Response: That warmth you hear in a record is the sound of compromise. You don’t realize it, but they actually didn’t invent record players with the intent of warming everything up like a nice bowl of Chunky Soup. That’s just the technology compromising the raw sound. (Same thing with tube amps, you guitar purists out there. By the way, I actually agree with you guys: tubes ARE better.) For an interesting discussion of what comprises “warmth,” check this out. You’ll notice that most of what they’re talking about is stuff that is actually altering the original sound output in some way: overdrive, addition of noise, emphasis of certain harmonic frequences to the detriment of others, etc. But you know what? If you like that, you can artificially emulate it. It’s not that hard if you know what you’re doing and have a little money to spend.
2. But digital sound has gaps between the samples! That’s bad! I can totally hear it and everything.
Response: No you can’t. Don’t be ridiculous. What you are saying you can do is beyond the capability of human hearing. You remind me of those people who say they can tell the difference between mp3s encoded at 320 kbps and 256 kbps: those people, and you, are lying. This is just a music snob arms race that was initiated by scientists letting us in on the secrets of what drives this technology. If the general public didn’t know, you’d never hear one moron out there talking about how he can hear gaps in a sound that is running forty-four thousand samples per second in each stereo channel.
3. But it sounds better!
Response: This is a fake non-argument thrown in just so I can score another cheap point on you vinylheads. Why are you unwilling to discuss the major setback of records, which is that even when brand new and played on a pristine, state-of-the-art system, they crackle noticeably? When you talk about this at all, you write it off as not that intrusive, or even (at your most delusional) charming. What it actually is, is sound that gets in the way of the music, and it’s only somewhat less annoying than that unmissed relic of the 80s, tape hiss. A little crackle is tolerable (especially when listening to loud music, as this FBI agent often does out in the field), but throw in some snaps and pops, and you’ll see me reaching for my computer to bring up Amazon.com and order a shiny new CD to replace the offending vinyl.
4. You’re missing out on the best part of music listening: the ritual of inconvenience! Taking out the record and gingerly laying it on that rubber mat while being careful not to bend or leave fingerprints on the sleeve is part of the experience. It makes music-listening meaningful!
Response: I see. Actually, I agree with you. Here are the other things in life that would benefit from being less convenient and more ritualistic:
~ Going places. Why do we bother with cars and roads? We should walk, or use sled dogs. Going to work meant more when it took two hours each way.
~ Talking to people. Throw out that cell phone, unplug that land line - if we want to communicate, from now on we should have to be face to face. Or write a letter, which will be delivered only by a courier on a horse. Now that’s inconvenient! That will make us appreciate the ritual of communication!
~ Eating. Shut down the restaurants, close the grocery stores, and turn off that fridge. From now on it’s all farms, gardens, firepits, and butter churns! If I can’t make it myself in a period of no less than one growing season plus several days of back-breaking labor, I don’t want to eat it.
…End sarcasm. As you can see, I have little tolerance for this line of reasoning. If you like inconvenient rituals that’s fine, but let’s not pretend society is somehow worse because advances in technology make certain tasks take half as much time or less. We are not Amish. (Well, you may be, but I am emphatically not.)
–
Just for the hell of it: the other side. My favorite bit is “This means that, by definition, a digital recording is not capturing the complete sound wave.” (Of course, what’s true by definition is not necessarily true in your ears.)
That’s all I got. Have a fine weekend, Diane.
6 responses so far ↓
Shae // February 22, 2008 at 10:56 pm
Well. Now I’m not a vinyl purist or anything, and actually haven’t experimented enough to even know if I have a preference.
On a related note, I am told that I can’t tell the difference between 6000 dpi printing and obsolete, analog (no dots) photo typsetting. I can. But is that a comparable situation? Is it the 44,000 verses the 6,000? I cannot pretend to know.
However, back on the topic of vinyl, I have something to add on the charm of inconvenience, which I sort of agree with the purists on.
It’s inconvenient to listen to the tracks of a record out of order or to listen to them intermingled with other albums. There’s something to be said for the argument that an album is a complete work of art that is intended to be listened to in order, especially when it’s a concept album. Or at least, that it used to be, back when it would be listened to that way.
I like it as much as anyone when I hear Sinatra followed by Metallica and then Toots and the Maytals in my random music mix. I especially love it when the music player allows me to tweak my lists with preferences for how often I want to hear each track.
However, I recall the days when I didn’t much like or notice the fourth song on the album, but put up with it, until eventually I learned it was amazing in its own way. Nowadays, I just skip it or give it a low rating. Something may be lost.
trace cell phone number // February 23, 2008 at 2:44 am
as a vinyl purist - i would have to agree with most of this article - but some points are just not right.
specialagentdalecooper // February 23, 2008 at 2:49 am
Shae - I agree with you on the idea of listening to whole albums, at least for artists who intend their albums to be listened to in that way (e.g. not Britney Spears). But I don’t mind leaving that choice in the hands of the consumer. In practice, even though my library is all digital now and can be random-accessed to death, I still listen to whole albums 90% of the time (and playlists or shuffle the other 10%). Let us not forget that you can always drop a needle anywhere on a record. True album purists would idealize the cassette, I’d imagine, since that format made it harder than any other to randomly pull up a specific song. For me, I like having the choice - though David Lynch and his chapter stop-free DVDs would disagree with me.
Well hell, I suppose artists could always release unitrack CDs. Patton Oswalt’s “222″ is two discs and two tracks - you listen to a monolith wall of comedy, or you don’t listen.
About the dpi vs. samples per second in a wav - they are metaphorically comparable but probably not technically. Two different media, two different really big numbers, and two different sets of sensory organs. My general point there isn’t even that .wavs will sound just like vinyl - in fact they clearly will not, unless you rip vinyl to digital first and then tinker with your sound system to present them in a similar way (since an LP player’s circuitry differs from standard audio outs). Rather, my point is that there’s an idea out there that digital sounds inherently inferior to vinyl, and I think 99% of that comes from the fact that people know how a .wav file works its magic and have dreamed up a psychosomatic dislike as a result.
themcp // February 25, 2008 at 1:41 pm
I like to listen to old music on vinyl. Some accounting of what the original source material was intended to be played on has to be made.
Some albums that were mastered in the days of vinyl were mastered to sound good on that medium by people who had a very deep understanding of what the process of producing a physical record does to the sound of that record.
I love that I can listen to my entire Bob Seger collection from my work computer via the magic of mp3 and the internet - but it really does sound better on my home stereo through my turntable.
On the other hand - I wager that almost no new vinyl recorded since the rise of the CD sounds better on a turntable… since digital production has become standard. Music is now recorded to take advantage of the clarity and sonic range of a digital format. Music recorded digitally should stay that way.
I think it’s cute when I see a big-name current star put something out on vinyl - because you know it was mastered digitally (and recorded with Pro Tools), and you just know that they didn’t redo the thing to make it to sound good on a record. It’s just a way to get you to spend money on it.
Mediums have their strengths and limitations. Modern production lets you layer to your heart’s content… because you don’t loose clarity as distortion and tape hiss creeps in.
If I were recording an album with lots of tracks and a thick mix today… obviously I’d use a computer. It’s just so much harder (and more expensive) to do a huge mix analog than it is digital.
But if I wanted to record a solo folk album of just voice and guitar… or wanted to record a small band live… and I had lots of money… I’d hire an engineer that really understood those old production techniques (and had some really great microphones) and I’d go straight to tape.
Ryan // February 25, 2008 at 1:42 pm
Dude, no unitrack CDs. Prince did that with “Lovesexy” - annoys the piss out of me.
One other reason your vinyl purist claptrap makes me sick « Special Agent Dale Cooper // March 18, 2008 at 2:24 am
[...] an old subject (wink wink), but I feel like I’ve done you a great disservice. In my post ripping the LP a new one, I somehow neglected to mention the biggest problem with the [...]
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